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  • Four musicians performing: two standing men play guitars, two seated men play zithers. Lithograph.
  • The AIDS red ribbon against a red background representing an advertisement for World AIDS Day 1st December by Mairie de Paris. Colour lithograph.
  • Four young people having difficulty talking to their parents about drugs; advising young people in the Netherlands to discuss drug abuse with their parents. Colour lithograph for the Drugs Infolijn and the Trimbos-instituut, 200-.
  • The torments of hell in Buddhism: two bearded demons burning six men alive. Lithograph.
  • An écorché head and shoulders, with neck muscles indicated. Lithograph by Battistelli after C. Squanquerillo, 1837.
  • Ganesha and his two wives, Siddhi and Buddhi, surrounded by six attendants and his rats. Chromolithograph.
  • Robert Lyall. Lithograph by M. Gauci.
  • Three anatomical dissections taking place in an attic. Coloured lithograph by T. C. Wilson after a pen and wash drawing by T. Rowlandson.
  • The male and female signs entwined with two arrows at the centre labelled 'SIDA' within a wavy grey border; a leaflet warning about the AIDS epidemic by the Comissão Nacional de Luta Contra a SIDA. Colour lithograph by Publicis Ciesa, ca. 1996.
  • Zebras and ostriches are being chased by cowboys, leaving a large cloud of dust behind them. Colour lithograph.
  • A cart laden with casualties of the French Revolution of 1848 is driven past The National in Paris passing a lamenting crowd. Lithograph.
  • Teeth before and after treatment from Bright Smile, a dental cleaning product available in Kenya. Colour lithograph by Bright Smile, ca. 2000.
  • Female catkins on a willow tree, representing an archaic Chinese nickname for sexually transmitted diseases, with the message that AIDS is worse. Colour lithograph by AIDS Concern, Hong Kong, ca. 1997.
  • The message in Swedish 'Don't forget. Men'; one of a series of AIDS prevention advertisements by the RFSL, the Swedish Federation for Lesbian, Gay, Bisexual and Transgender Rights. Colour lithograph, ca. 1997.
  • Robert McCormick. Lithograph, 1884, after Skinner.
  • Engineering: a large pumping station. Coloured lithograph, [post 1875].
  • Christopher Columbus receiving from Queen Isabella of Spain his nomination as Viceroy of the territories he will discover on his voyages. Coloured lithograph, ca. 1850.
  • A Maasai mother with a child; representing support for the healthcare work of Memisa among the Maasai. Colour lithograph for Memisa, ca. 2000.
  • A sweep of hair incorporating three faces representing Africans in partnership against AIDS; advertisement by the City of Toronto Public Health, sponsored by Levis. Colour lithograph by Louie Kizito, 1995.
  • A man and wife and their two children and dog climbing up a grassy knoll as exercise in the fresh air. Colour lithograph by Hulls.
  • A wife asking her drunkard husband to hand over a bottle of alcoholic drink. Lithograph by B. Chavannaz, ca. 1920.
  • A bare-chested woman wearing jeans flings her head back and says "I only make love safely"; advertising safe sex in AIDS prevention. Colour lithograph for Bajes Special Mainline, 199-.
  • A nurse vaccinating a baby in a clinic: the Kenya Expanded programme on Immunization. Colour lithograph, ca. 2000.
  • Dissection of the back of the leg, showing the muscles, tendons and blood vessels of the back of the thigh and knee joint. Colour lithograph by G.H. Ford, 1867.
  • Evolution of household articles, animals etc. according to Darwin's doctrine. Colour lithographs by Fr. Schmidt, ca. 187-(?).
  • Giovanni Battista della Porta. Lithograph by L. Aureli after Belloni.
  • A telephone receiver: health related emergency communications in Kenya. Colour lithograph by Department of Health Promotion, ca. 2000.
  • Christ's Hospital, London: one of the boys standing beside a table, his hand on some books, the exterior of the New Hall behind. Colour lithograph after J. Cristall.
  • Nicolas Louis Vauquelin. Lithograph by J. Boilly, 1820.
  • An écorché figure (torso): front view. Lithograph by Wieller and Martelli after Squanquerillo, 1838.